Mark Twain’s “Two Views of the River” Essay

Mark galluss Two Views of the River offers two distinct ways of how to assure the world. adept is to see the world with a childs eye. at that place is a certain level of amazement and wonder in seeing some subject for the frontmost time or seeing something different in something very familiar. thither is an exploration and a discovery involved. There is poetry. Then in that respect is the new(prenominal) way of facial gestureing at things and seeing only the mundane. Here, people argon seeing things and accepting that there is nonhing extraordinary with things.This happens quite a lot when people see a place or a thing and only see the practical side. There is less wonderment and much analysis as to why it is there, what is its usage and how does it affect people. From a changeable poetic view, it becomes a practical nonchalant way of seeing the world. To puzzle such feeling in film, one must(prenominal) offset printing rivet on the first way of looking at the world. This involves seeing things for the first time with awe and wonder. It is poetic in a sense that approximately every piffling detail has a hidden meaning and offers something summa cum laude of camera time.Therefore, it should start with a long shot of the unit of measurement medical prognosis. And past it follows the narration and zooms in into the details. This offers the effect that from the outside one notices the tolerant photo but is affected more by the details. This puts emphasis on the implication of everything from the changing river to the ripples of the water to the shore. Close-up shots of the river, the rivers changing colors, the sun, the ripples, the shoreline and the woodland should be taken. from each one part should be consistently make believen vastness and time. This creates the effect of pickings it all in.Each part contributes something beautiful to the whole scene and must be portrayed as such. The snatch scene would be to the highest degree h ow a scene fades from being novel into something being practical. The key in giving off this kind of feeling is to look at how the small details fit into the big picture. Here, Mark Twain says how the sun tells of what the die hard will be or how a floating log convey that the water level is increasing. Everything is connected to each other and its importance is seen in how it contributes to the big picture. As such, it is good to go and reverse what was done on the first part.From the close-ups, the camera can pan out of the woodland and the riverside through the river and end up with a zoomed out picture of the whole scene. It could also be shot in black and white plot of land the other scene is shot in color. This does not mean the second more practical side in seeing things is less important. It does give off a dulling effect from something poetic to something practical. However, it also gives a big view of the scene and as such, the viewer is able to see more and can use mo re what he sees for his everyday life. He sees the importance of things instead of its aesthetics.The effect of both scenes is like how a child and an great(p) experience the city. The first time, as a child, one sees the city with its big buildings and assortment of. One notices first the different buildings and shops and lights. Each reminds that this is no long-lived home. There is something foreign in the air. The sounds of the city are loud as it is a mixture of people talking and cars going by. Then there are heaps of people, each dressing differently for different purposes. There is something amazing with being in the center of such a nimble world where everything is in constant motion. But as an adult, the city is no longer such an oddity.It becomes an everyday experience. The mass of people, cars, the noise, the shops, the buildings all fade into the background. Everything is recognized as part of reality. There is no longer amazement in learning new things. When people go to the city, they no longer look from left to right soaking in every detail. They simply go about their business without paying much attention except to see which route would go fastest or what store offers a let on price. Such practicality becomes the main way of looking at things. This paradigm recess is the effect needed in portraying Mark Twains Two Views of the River.There should be two clear distinct scenes a colorful and full in awe scene and a more practical scene that looks at the big picture. This shift and the difference in the shots give off how people change in how they see the identical things. From seeing the small details and reveling in them for the first scene, the last scene goes back and looks at the big picture and how it affects the viewer. The details are not in focus and the color fades. However, one is able to see a larger view of the world. This contrast between both scenes leaves, at the end, an unbuttoned ended question regarding which viewpoint is better.